Archive for the "Apple" Category

The Nihon Keizai newspaper in Tokyo reported yesterday that Apple plans to start a music download service in Japan by March 2005 and aims to offer more than 100,000 songs with an emphasis on Japanese music at its iTunes Music Store, which is expected to be the largest music download service in Japan.

With two of the three international Apple Retail Store locations in Tokyo and Osaka leveraging the iPod in tandem, a Japanese iTunes Music Store seems a natural move though for a Japanese version of iTunes Music Store to work, however, Apple will need to be sensitive to the unique dynamics of the Japanese marketplace.

iTunes Heading For Japanese Launch
” In order to have a successful iTunes Music Store launch in Japan, Apple needs to provide Japanese consumers with a strong library of Japanese music from top Japanese record labels and pop stars,” commented Yankee Group senior analyst Mike Goodman recently on News Factor. Apple “can’t just translate its North American catalog to Japan,” Goodman continued. “They have to be sensitive to that market to succeed.”

Earlier in the year ITMS Japan met with opposition from a number of local music labels who claim that FairPlay is “inadequate” and refused to license their songs to Apple.

While Japanese companies are world leaders in making the gadgets that are driving the expansion of the online music business abroad, that business has been surprisingly slow to take off in Japan. Market leader Label Gate Co., funded by 18 major domestic recording companies, including heavyweights Sony Music Entertainment (Japan) Inc. and Avex Inc., launched a music download site called Mora this April and plans to expand its offerings to 150,000 songs from the current 70,000.

Apple will also face oppositon from several other Japanese download sites that have emerged in recent months and unlike Apple’s iTunes service, whose downloads can be burned onto CD-Rs, most downloads from the Japanese sites are copy-protected and cannot be copied onto CD-Rs. While a single download typically costs 99 cents (about 110 yen) from iTunes Japanese domestic download services typically charge at least 200 yen per song.

Another market ‘quirk’ typical in Japan is audio CD rental. Tsutaya is the largest chain of video stores in Japan. They operate ‘Culture Convenience Clubs’ where you can not only rent tapes and DVDs but also audio CDs. Last year the chains profits rose a massive 90% as the retail giant expanded to over 1100 stores and a signed up membership base of over 18 million.

According to reports, Apple executives recently visited Japan to discuss pricing and DRM parameters with major record companies in the country, including Avex Group Holdings Inc., Warner Music Japan Inc., and BMG Funhouse Inc. Apple is expected to price its a-la-carte downloads at a competitive 100 yen, beating other Japanese music services that charge between 150 to 350 yen per track. Apple has already sold 500,000 iPods in Japan, making the iTunes Music Store glaringly absent and prohibiting users from legally downloading digital songs for portable playback.

Related Reading

Canada to Get iTunes, Japan Next?
[NewsFactor.com]
Apple to Launch Download Service in Japan [CBS Marketwatch]
iTunes Japans Hits ‘Inadequate DRM’ Hurdle [the Register]
Music Industry Warms to Downloads [Asahi.com]
Innovations Push Japan Towards Online Music [International Herald Tribune]
A Portal into Japanese Pop Culture [JPop.com]
A Lesson From Japan’s CD Rental Industry [Copyfutures]
Japan and US: Two Cultures of Piracy [Smartmobs.com]
Dial M For Music [Time Asia]
Cultures of Music Piracy:An Ethnographic Comparison of the US and Japan [Ian Condry-Massachusetts Institute of Technology. 31pg pdf]

Newsweek magazine give an exclusive look at the new look iPod’s online on their MSNBC affiliated online presence today (which can also be seen in print in the July 26th ‘iPod Nation’ cover story).

4th generation ipods

The streamlined digital music player gets a slightly thinner (by 1 millimetre) case and 50% longer battery life this is accomplished, Apple says, not by a heavier battery but diligent conservation of power. More importantly the retail price takes a $100 price reduction for the 20gig (now $299) and the 40gig flagship model (now $399). The 15gig ‘midrange’ model is to be discontinued.

The Newsweek feature did not say when the new iPods would be available. The details were revealed as part of a cover story on the iPod and its impact. The cover shows Apple CEO Steve Jobs holding one of the new, still-white models.

Related Reading

Apple Hatches 4th Generation iPod [CNet News]
iPod Nation [Newsweek]
New iPod Arrives Tomorrow [P2PNet]
New iPod Expected Monday, is Thinner, Cheaper, 12 Hour Battery [MacWorld UK]

Apples popular iTunes download store reached the 100 million download target late Sunday in the US when Kevin Britten of Hays, Kansas downloaded the DJ Dangermouse remix of UK electronica act, Zero 7′s downbeat ‘Somersault’.

Apple launched its 100 million song promotion on July 1st and offered just over 5 million songs for download in in July, a rate of just over 2.5 million songs each week.

Back in October 2003 Apple CEO Steve Jobs had predicted the 100 million download landmark to be reached by the (then with only US availability) music service by its April year anniversary. By the second week in March this year Jobs admitted the figure was nearer half that figure.

There was an ironic twist to todays iTunes 100 million download headlines. DJ Dangermouse was in the news back in February for a different reason when his album ‘the Grey Album’ remixed the vocals from Jay-Z’s ‘The Black Album’ and music sampled from the Beatles’ ‘White Album’ caused widespread panic amongst the music industry, in particular copyright owners EMI who issued cease and desist notices to websites hosting the ‘banned music’. The resulting ‘Grey Tuesday’ protest saw an estimated 1 million tracks downloaded in a day.

Elsewhere in other iTunes news the Times newspaper reported that Apple is on the verge of agreeing a deal with independent record labels (or more precisely the Association of Independent Music the organisation that represents the labels interests) that will allow its iTunes music service to sell their tracks, citing sources close to the talks, the newspaper said a pact could be announced on Tuesday, ending a feud that has kept independent labels off iTunes since its launch in the UK, France and Germany last month.

The new deal is expected to ease the concerns of independent record labels that they would be locked into long-term contracts at fixed prices.

The percentage cut that they receive from songs sold over iTunes is also expected to be closer to the rates received by multinational record companies such as EMI and Sony Music. The royalty that Apple pays record companies from sales of songs over iTunes is a closely guarded secret, but is understood to range between 45 per cent and 60 per cent of the retail price.

Related Reading

Apple iTunes Music Store Hits 100 Million Song Mark [Mac News Network]
iTunes Tops 100M Downloads Mark [BBC News]

When Sony released details of the 20GB NW-HD1 Walkman they claimed to have trumped Apple with the number of songs that their device could hold — 13,000 compared to the iPod’s 10,000 — even thought the total capacity was half of the iPod’s. That message is misleading to consumers, according to Apple.

“We thought it was time to help set the record straight,” Greg Joswiak, vice president of Hardware Product Marketing at Apple, told MacCentral. “We’re disappointed that Sony has chosen to mislead folks with a marketing gimmick — we just want to make sure customer have the information so they can make an apples to apples comparison, if you will.”

Sony’s 13,000 song measurement is based on its ATRAC3 (Adaptive Transform Acoustic Coding for MiniDisc 3) compression system at the relatively low rate of 48Kbps (kilobits per second) while Apple’s measurement is based on the AAC compression system at 128Kbps. At the same bit rate, the Walkman can store around half as many songs as the iPod, which is consistent with it having half the storage capacity.

“ATRAC3 at 48Kbps is nowhere near CD quality,” said Joswiak. Funnily enough neither is Apple’s ‘near-CD quality’ 128Kbps. Normal CD’s are in general encoded at a bitrate of 1,411Kbps, AAC, MP3 and ATRAC are all ‘lossy compression’ methods and are most often used for compressing sound or images. In these cases, the retrieved file can be quite different to the original at the bit level while being indistinguishable to the human ear or eye for most practical purposes. Compression in the case of Apple’s sampling rate removes almost 90% of the original audio.

At the normal CD sampling rate each minute of audio takes up 10mb of space, audio compression shrinks that to roughly 1mb per minute (using Apple’s sampling rate example).

Apple also points out that Sony’s Connect online music store sells songs at 132kbps – proof, it says, that a higher bitrate is desirable.

Related Reading

Apple Attacks Sony’s Network Walkman Claims [NewsFactor Network]
Apple Sour With Sony [the Courier Mail]
The iTunes Phenomenon, P2P Networks and Music Lite [TechNewsWorld]
Sony’s First Walkman-Branded Hard Disk Player, NW-HD1 [Gizmodo]
First NW-HD1 Review (translation) [PC Watch-Japan]
iTunes Europe-A Preliminary Analysis (Buzzsonic.com)
Sony Introduce 20GB Music Player [Buzzsonic.com]
Sony vs. Apple, Sony Takes it up a Notch [EWeek]
EBU Technical Review-Internet Audio Codecs (PDF) [European Broadcasting Union,Switzerland]
Codec Review [Codecreview.com]
Results of Multiformat at 128kbps public Listening Test [Rjamorim.com]

Apple’s iPod mini music player will be released in the UK on 24 July. The 3.6oz, 4GB device, which holds up to 1,000 ‘CD-quality’ (in Apples proprietory AAC format) songs, will be available from Apple’s website, retail stores and authorised resellers for �179 later this month.

iPod mini for Mac and Windows has been only officially available in the U.S since its February debut there.

The mini iPod was originally penned for a UK launch in April though a harddrive shortage delayed the plans. Tight supplies of the tiny Hitachi hard drive at the core of the iPod mini forced Apple to delay increasing manufacturing (and worldwide availability) until July.

“The iPod mini has been a smash hit in the US, and we’re thrilled to finally be able to offer it to music lovers the world over,” said Apple chief executive Steve Jobs in a statement.

The iPod mini will be available in five colours: silver, gold, pink, blue and green. It has a click wheel similar to that found on the larger version and works with the iTunes music store, launched in the UK last month.

Related Reading

iPod Mini’s Set to Head Overseas [CNN Money]
World to Get iPod Mini [the Register]
Mini iPod to Debut Outside of US. [ZDNet News]
New Smaller, Flashier iPod Sells Out Fast [USA Today]
All Things iPod [iPodLounge.com]
iPod Mini Review [CNet Reviews]
MP3 Player:iPod Mini Review [PC Magazine]
Apple Unveils Smaller iPod, New Software [ATT.com]

It can’t be denied that Apple’s iTunes music download store (or iTMS to give it the official acronym) has become something of a media phenomenon, it has also become one of the most over hyped services in living memory. With unadulterated positive press flowing endlessly, iTunes, if you listened to the majority of the mainstream press, can do no wrong.

Thankfully some sense of balance seems to be returning as chinks in Apple’s seemingly impenetrable positive PR armour appear. Randall Stross in todays New York Times article, ‘From a High-Tech System, Low-Fi Music’ rightly points out that far from being the claimed ‘CD quality’ that all legal download stores claim (not just Apple) the paid downloads are are actually heavily compressed versions of the originals. Using a ‘lossy format’ codec and an audio file that is a fraction of the size of the original. Lossy, means lossy, converting the Apple AAC file to lossless Wav does not restore the lost audio.

The Times article goes on. Defending the company’s decision to encode its music at the low end of the bit rate range, an Apple spokesman, Derick Mains, says 128 provides good sound quality, “especially when used in iPods.” “The majority of people,” Mr. Mains said, “have absolutely no idea what a bit rate is.”

“The smaller files are handy for speedy downloads, space-saving for storage and perfectly serviceable for listening through ear buds when riding on the subway. Not what you will want, however, when your desktop computer becomes the home jukebox and wirelessly sends these simulacra to the entertainment center in the living room.” Explains Randall.

Customers are led to believe that they are getting a CD in all respects except the trouble of going to the mall. The iTunes store does not warn about the permanence of its method of compression; once freeze-dried, there is no way to reconstitute the music into CD quality for playing through a good stereo.

The bit rate for iTunes, 128kbps, is so low that when played side by side against the original (the sampling rate for normal CDs is 1,411kbps) the difference is audible not only to audio enthusiasts, but also to mortals with ordinary hearing.

Wes Phillips, contributing editor at Stereophile, says “128 is like an eight-track,” and he describes the combination of iPod and iTunes as “buying a 21st-century device to live in the 1970′s.”

Elsewhere, students at the Berkman Center’s Digitial Media Project (at Harvard Law School) have published a report that considers the legal foundation of iTunes Europe and the interplay of the service with European law. ‘iTunes Europe: A Preliminary Analysis’ examines the implications of the expansion of iTunes on the future of digital media, technology, business strategies, and international law.

The report points out that although Apple is the most popular Internet-based music service, its sales constitute at most 2% of total recording industry sales. At the same time, the record industrys apparent willingness to give up the staggered release dates and price discrimination practices in their sales through Apples iTMS is a striking reflection of the power that an end distributor like Apple has managed to garner in the music business. Apples iTunes Europe launch may very well have marked a change in how power and control are distributed in the music industry.

Read full report: ‘iTunes Europe: A Preliminary Analysis’ (PDF)

Related Reading

Low-Fi iTunes Downloads [P2PNet]
From High Tech Gadget, Small Files But Lower Quality Music [International Herald Tribune]
the Joys of the Celestial Jukebox [Guardian Unlimited]
Audio Data Compression
[Wikipedia]
Perceptual Coding: How Mp3 Compression Works [Sound on Sound]
Audio & Multimedia MPEG-2 AAC [Fraunhofer IIS]
Digital Audio Formats Codec Basics [Global Music Resource]