Phew, well now I’ve actually finished a blog post for the first time in over a year (hey I’ve been too busy over at Twitter) I thought I would ‘weld’ together my three lengthy posts on digital music distribution and put them out there as one lovely PDF!

Now take into account that I haven’t reorganized anything so you’ll be getting them in chronological order from the top. I’m going to post it at Google Docs so feel free to grab. This is just the rough’ beta mix’ as I do intend to tidy it up and reorganise very soon. Feedback please!

Grab it here: The Buzzsonic.com Ultimate Guide to Digital Music Distribution Extra!

I’ve actually been promising an update to my two earlier posts on digital music distribution for waaay too long now, so apologies to all for the horrible delay (April 2009? What the..). Anyway. In case you missed them…

Part 1: ‘Exploring The Digital Music Distribution Jungle’ April 2009
Part 2: ”Digital Music Distribution Round-up Part 2′ April 2009

There were seventeen companies mentioned in Pt.1 and thirteen in Pt.2. Out of them, the only change to report from part one is that Australian based Musicadium has been rolled into Valleyarm.

In part two, WaTunes dropped their bespoke distribution service and changed tack to become a ‘social music store’ and now choose to go thru ReverbNation for distribution services.

The rest, as you were.

Rather than go over the same points here you’ll be much better off catching up with the first two parts. To make things a little more convenient I’m welding the three pieces together as one PDF so you can print and study at leisure.

Some points you may want to take into consideration when choosing a distributor.

Location. Is your distributor of choice in your own country? Possibly a key issue because of currency differences and support concerns. Do they phone support? A physical address?

Read the websites about page to find out names, history and credentials. If they have none, move on. Use Google. A lot.

Always amazes me when some site pops up claiming combined “20+ years industry experience” but giving no actual NAMES. Then you get a PO BOX for a mailing address. Run. In the opposite direction. (more…)

I didn’t get to mention all the digital music distribution outlets that I wanted too in my (part 1) post a few days ago, ‘Exploring The Digital Music Distribution ‘Jungle’’, so I thought I’d update the list in this ‘quick’ additional post. Thanks also to the  feedback and suggestions I got, especially from 101 Distribution and @Charles at 247 Entertainment.

Again I’ll refer to the  major download retailers as the ‘Big 5′ which right now would be iTunes, Amazon MP3, eMusic, Napster and Rhapsody.

Pro Music – Online Music Stores – Not a distribution company but an online worldwide map of legal online digital music retail stores listed by country and maintained by the IFPI and a very good resource for checking out worldwide outlets. The same website maintains  weekly download chart links across mainland Europe and Japan. Right now Lady GaGa seems to be universally topping the charts across Europe with ‘Poker Face’.

EPM Electronic – (Maastricht, Netherlands & London, UK)- European based company with a very comprehensive list of stores they service, including the ‘big 5′ worldwide and a very large selection of niche and independent retailers, including all the major electronic dance music stores across the USA, the whole of Europe, Asia and the Far East. Also cover some of the major mobile platforms like Nokia, Vodaphone and 3 Mobile. MySpace.

Its one of those application deals, where you fill in a short form and upload a music sample. There’s no terms on the website but there’s a demo page for label management.

WaTunes -(Atlanta, Georgia, USA)- One of the newer aggregator/distribution channels around, WaTunes are different from just about all the rest in that there is no sign up fee (at the moment) and the artist gets to keep 100% of sales royalties. They distribute to four of the ‘ big 5′ (excluding Rhapsody), plus Shockhound, Zune, Beats Digital and Masterbeat. I’m not entirely comfortable with the ‘everything is free’ revenue model tbh as it doesn’t exactly stimulate financial stability. CEO Kevin Rivers is  blogging here and tweeting here if you want to fire questions. MySpace.

Vidzone Digital Media -(London, UK) – leading distributor of Independent music via mobile networks internationally. More than 130 distribution partnerships across 40 countries. Have a very informative PDF of digital music FAQs too. A checklist of the basics and more advanced info on need to know stuff like UPCs, Metadata and ISRCs. Aimed at labels rather than individuals.

Digital Pressure -(Hollywood, CA, USA)- Another long standing big player on the digital distribution front and one of the first. Digital Pressure have been around since 1997 and are a subdivision of Peer Music. Seem to work more with labels/catalog and a percentage cut with no upfront fees. MySpace. Twitter.

“Our contracts with content owners are four-year, non-exclusive distribution agreements. These simple contracts empower Digitalpressure to become your exclusive agent for all of the partners within our global distribution network, but allow you to distribute your music outside of our relationship through any other service or site, including your own.” Contact page.

Ingrooves -(San Francisco, CA, USA) - Long standing distributor who also specialize in licensing music. Main site was down at time of writing. Another aggregator working with a percentage  share. MySpace.

Zebralution -(Berlin/London/LA)- One of the longer standing independent digital music distributors headed up in Berlin, Germany with multiple regional offices worldwide. Huge network of retailers worldwide including the ‘big 5′, genre specific retailers and mobile music outlets. Warners acquired a significant stake in the company in 2007.  There’s an application process for labels here.  MySpace.

The CAN -(Australia) – Oz based Chaos Artist Network supply all major digital retailers globally (iTunes etc) and traditional retailers throughout Australia (JB Hi Fi, Sanity, Big W, Leading Edge etc). Distribute physical product, CDs and DVDs as well as servicing digital retailers. Part of the Stomp entertainment group. MySpace.

EarBuzz.com -(New Jersey, USA)- Two programs offered here, the earBuzz set-up, which costs $25 sign-up and $2 a month for you to sell Cds and downloads on the earBuzz website. An additional $39 enters you into the WWX program which gets you into the ‘big 5′ retailers, ringtone store Myxer, We7 and LaLa. There’s same day payout for sales onsite and 100% royalty share. MySpace.

DashGo -(Santa Monica, CA,USA) – A slightly different selling point from Dashgo. They distribute music via the usual ‘big 5′ retailers and also offer placement on social music outlets including LastFM, iMeem, Blast My Music, iLike and YouTube which includes analytics breakdown. Also provide “full-service digital sales and marketing solutions, promoting your content to digital retailers, securing positioning with social sites, and soliciting coverage on influencer blogs and discovery sites.” Also offer the Audioswop service with YouTube. Twitter.

Kontor New Media -(Hamburg, Germany)- Worldwide digital content distribution of music, video, ringtones and audio books. Include the ‘big 5′ and a bunch of dance music outlets, Zune, Nokia, FNAC, 7 Digital and mobile music retailers. Contact. MySpace.

Consolidated Independent – (London, UK)- Not a service for individual artists. CI only works with labels or distributors with more than 200 tracks in their catalog. Fees start from £150 a month. Cover just about every retailer on the planet it seems and promise to get labels into ones that aren’t already on their list.

FineTunes-(Hamburg, Germany)- Not to be confused with Finetune. Finetunes distribute across all the major digital retailers as well as providing software solutions for labels, download stores and artists websites. Twitter. MySpace.

Was going to add Wild Palms but their website seems to be in disaray right know, so we’ll see later.

Related Resources

Digital Distribution For Unsigned Artists (PDF) (Chaos.com)
WaTunes Sells Your Music On iTunes And Amazon Free Of Charge (Techcrunch.com)
Get Music Online-Online Music Stores (Pro-Music.org)
DashGo Connects Musicians and Labels to Social Media (Mashable.com)
IFPI Digital Music Report 2009 (32pg. PDF) (IFPI)
The Digital Top 40 FAQ PDF (VidZone Digital Media)
Independent Distribution Solution:Getting Records from Concept To Consumer (Narip.com) (MP3 audio files with PDF and Excel Spreadsheet documents in a zip file.$59.99)
Music and Metadata (XML.com)
Digital Distribution (BeMuso.com)
Should I Do Something About Metadata? (NewMusicStrategies.com)

I’ve touched on music distribution issues here before with Tunecore, Bit Torrent and even good old analogue vinyl but thought I’d dig around a bit deeper as there seems to be new distribution services springing up on a regular basis these days. Be they aggregator or ‘widget’ type tools. Ill be covering digital music aggregators here first and covering website widgets later in the week.

The Music Void – Denzyl Feigelson on MUZU

Things To Consider When Choosing Digital Music Distribution

With the Internet its easy to research background on companies these days. Thats what Google is for. Do it. Search around the distributors website. Look for the names of people running the company. Put a shout out on Twitter or music  forums if you need user feedback on any service.

What is the distributors background, how long has the company been around?  What is the revenue model ? Upfront yearly admin fee (like Tunecore) or a percentage of sales (CD Baby take 9%).

Which digital retailers do  the aggregators distribute too? Also, check the distributors  list of bands, artists and labels that are using their services. Always a good reference point. Its reassuring to know that Tunecore (who I use) also handle digital distribution for established artists such as NiN,  David Byrne & Brian Eno and Jay Z and newer MP3 blog faves like MGMT.

Also you need to know that you wont be signing away rights to your music and that you wont be tied down to any lengthy fixed terms

Music industry scribe Moses Avalon has a good breakdown of distribution terms for a few aggregators on his website. Its a couple of years old and as such covers only the longer established companies but is still very relevant. (more…)

Now I’ve used the word ‘music industry’ here to encompass anything connected to digital music stuff, music 2.0, social media, whatever you want to call it. Truth is, the keyword today is convergence.

But if you’re struggling to come to terms with new terminology, new technology and new services I did a comprehensive scan of resources you can print out on PDF that’ll really set you up with an information boost if you’re playing catch up and haven’t got the time to dig around.

There’s some fantastic resources out there and some inspirational writers like Seth Godin, Andrew Dubber, Gerd Leonhard, Derek Sivers and even digital distributors Tunecore all offer some brilliant insight and the best news is its all out there for you to grab free as a bird. And legal too!

Promotion

Music Industry Survival Guide. This compact guide from digital distributor Tunecore crams a lot into its 30 pages covering college radio promotion, iTunes promotion, street marketing, music discovery, mp3 blogs and press and media tips. Some people actually charge for this stuff. There’s seven PDF guides from Tunecore including a vinyl 101 for bands/artists wanting to press up vinyl records.

Their other guides cover mastering, publishing, copyright and mixing.

Mastering The Music Website Cycle.  EasyB.com make e-commerce software for artists to sell music direct from their own websites. The handy 36 page guide goes into some detail on how to make and manage a successful music download website. They draw up a checklist of plans for structure, content and design. Again, some great pointers for many who may find the task a little daunting.

The Leading Question-Voice Of The Fans. This survey undertaken by UK digital music industry company Musically was aired at Midem this January. 1300 music fans were questioned across the USA, UK and France.

(more…)

“It’s obvious that in a very short space of time the Japanese will have delivered the technology and then brought the price of it down so that you can do the whole thing at home. Then you will be able to sod off all that crap about going into studios.”

(Bill Drummond & Jimmy Cauty-1988)

Taken from ‘The Manual-How To Have A Number 1 The Easy Way’

PDF Download

I mentioned the free music as viral marketing thing in an earlier post and thought I’d expand on it here.

I’ve just uploaded a bunch of some of the earlier versions of the 99th Floor Elevators, ‘Hooked’ for free download via MiniNova distribution. Think of it as an experiment to see if this has any effect on raising the profile of the 99th Floor Elevators in expectation of new material later this year and newer remixes of ‘Hooked’ also coming from Suesse Records.

Its all packaged as a Torrent and you’ll get five remixes and the original promotional video of ‘Hooked’ that was broadcast on MTV way back when. You can see the video on YouTube (see Elevators blog post here).

The audio files are all 192kbps MP3′s and the mixes included are:

Hooked Classic Remixes

Tony deVit Classic Trade Remix. This was the one that really made things fly for the 99th Floor Elevators, taking the humble white label original mix and stretching it into a near ten minute arms in the air club monster. Much credit must be given to Tony’s low profile engineer/co-producer Simon Parkes.

Originally a national top 30 hit in the UK before being re-issued as part of a Tripoli Trax double twelve inch remix package.

KillerHurts Remix.  DJ James Nardi and production partner Julian Dwyer, took chunks of inspiration from the OD404 and Pete Wardman remixes, added their own nails and came up with probably the perfect hard-house mix ever. Available on one sided 12 inch too if you’re lucky enough to find one.

Paul King Remix. Paul basically re-invents/updates the TDV mix for the 21st century with a monster synth riff from the Gods 2.30 minutes in that’ll have arms reaching for the sky. Previously available only as a very hard to find one sided 12inch white. Over nine minutes long.

OD404 Remix. Possibly my personal favorite mix and one I never tire of. Managed to take a Euro house gay anthem and turn it into the Prodigy with kick drums. Awesome.

Phlash Pop Edit. Only ever seen on a very limited release Tripoli Trax white label vinyl 12 and later on a CD single. Phlash! were ex-Tripoli A&R guy and DJ Steve Hill and engineer Mick Shiner (aka Nylon) and if you like your dance bouncy and radio friendly this is the version for you. Infectious stuff.

If you prefer the traditional route of MP3 download then you can grab each MP3 on my Drop.io page where you can either stream or download each track before deciding on the Torrent option.

I use and recommend UTorrent for my Torrents. Its less than half a meg download and spyware free. Install if you don’t already have a Torrent client.

Go to the ‘Hooked’ Torrent download link here. It’ll automatically open your Torrent client and you’ll get a pop up box so you can select which mixes you want and which you don’t want, if you don’t want the whole bunch. Click OK when you’re done and that’s it.

The files are very well seeded (well over 100 seeds as I write) so it’ll take something like 15 minutes to download the whole 74mb collection, depending on your connection speed. There’s a U Torrent beginners guide here and details on MiniNova Torrent distribution here if you’re considering getting some of your own tracks out and about ultra quick.

I uploaded the Hooked files to Mininova lunch time yesterday, by the time I’d left work five hours later Google had already indexed ’99th Floor Elevators Torrent’ and it was being seeded by users. A day later the package has over 100 seeders which means excellent download speed and availability.

Related Links

Mininova Content Distribution (Mininova.org)
Hey Content Producers, Get In The P2P Torrent Cloud (Lx7.ca)
Embracing The Torrent Of Online Video (BBC)
Thoughts On BitTorrent Distribution For A Public Broadcaster (NRKBeta)
Why You Must and How to Implement a Free Song Strategy (UnsprungMedia.com)

I wrote about some more ‘leftfield’ music marketing ideas earlier this week and continue here with some more brain storming that may give you some leads.

99th Floor Elevators-'Hooked'

One thing that has really taken off in the last year or so with artists is free album downloads, with high profile artists like Radiohead and Nine Inch Nails getting the most column inches.

NIN’s album ‘Ghosts l-lV’ was Amazon’s best selling album of 2008 despite the fact that the album was legally available as a free download on filesharing networks.

It was significant also in that it was released totally free of record label shackles, Trent Reznor instead choosing to use digital music distributor Tunecore to make the 36 tracks available for download.

The band are said to have made close to two million dollars in a week from selling high-end limited edition versions of the album. The follow up album, ‘The Slip’ uses a similar marketing tactic.

Now obviously anyone reading this isn’t going to have that kind of following but artists can still use the same principles on a smaller scale. I’m trying it myself by giving away some of the original dance mixes of 99th Floor Elevators ‘Hooked’ here. A package that includes five different mixes and even the original promo video which you can see just above.

You can get individual mixes (as 192kbps MP3 files) or the whole package as a zipped download. There’s even a Bit Torrent link here. Download and seed.

Does this devalue my old mixes? Well no, its a ‘risk free’ introduction that will hopefully grab some new listeners who’ll be stimulated enough to be interested in the forthcoming newer mixes and also helps keep the name floating around the web in between new material coming out later in the year. People can also head to Amazon to buy other material on CD and download.

I used UTorrent to make the Torrent, instructions you can find here and here. I used Drop.io to host the MP3 downloads, a great straight forward service with no sign up required and no waiting through crappy ad loops that you find on free file hosts like Zshare.com

The message here? Speculate to accumulate to put it simply. Despite lots of negative press CDs are alive and well, vinyl is having a revival, fans ARE still willing to pay for quality music in premium packaging. Ex-Strangler Hugh Cornwall is the latest ‘name’ artist to try this route with his album ‘Hooverdamn’. Where, besides the free MP3 version you can grab the album on various vinyl, CD and DVD packages.

Download the 99th Floor Elevators ‘Hooked’ original remixes and promo video here or here. Or via BitTorrent here.

Contd tomorrow………

Related Research
How To Create A Torrent (Torrent Freak)
A Beginners Guide To Bit Torrent (BitTorrent.com)
How To Make A Torrent (UTorrent.com)
More Bands Oasis, Jamiroquai To Follow Radiohead (Daily Telegraph)
Steal Throwdown’s Music Please (Mashable.com)
Free Music Initiative Has Sparked 119% Rise In Sales (Mashable.com)
Why We’re Releasing Our Latest Album For Free On The Internet (HarveyDanger.com)
Band Recognizes Free, Unencumbered Downloads Are Part Of A Publicity Campaign (Techdirt.com)
Radiohead Shocks Record Industry With Free Download Of New Album (Zeropaid.com)

An often overlooked aspect of David Lynch’s movie-making excellence is his choice of music and sound. Late last year saw the release of ‘Mashed In Plastic: The David Lynch Mash-up Album’ a collection of re-interpretations of some of the more memorable audio moments lifted from David Lynch movie soundtracks.

Mashed In Plastic gathers together a veritable who’s who of  mashup creators like Colatron,  Wax Audio, Phil RetroSpector, The Who Boys, ToToM, Voicedude, RIAA, G3RSt, Neiltomo and The Reborn Identity amongst others.

The Mashed in Plastic trailer features the music of Angelo Badalamenti, David Bowie and Rammstein, plus the man himself, David Lynch.

Its a varied and adventurous collection spanning eighteen tracks and David Lynch himself opens up the collection on Colatron’s ‘The Voice of Love Is Crying’ with a few words of his own. “Ideas are like fish. If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you’ve got to go deeper.”

The track molds together Rebekah Del Rio’s haunting “Llorando” ( a Spanish language version of Roy Orbison’s ‘Crying’) from Mulholland Drive, bits of Angelo Badalamenti, Chopin and Burial.

Wax Audio somehow manage to make the Beatles ‘Eleanor Rigby’ and Badalamenti’s theme from Blue Velvet sound made for each other on ‘Blue Rigby’ and Phil Retrospector twists the Beatles into another unlikely duet, this time with Julee Cruise with ‘In My Twin Life’.

Overall, as befits most anything Lynch does (although this a totally unsanctioned release of course) the whole album is a real oddity given the source material.  The remixers have added some quirks and pop twists of their own too with some unexpected sound collabs, just like the best mashers always do. So expect to hear bits of the Jackson 5, Kylie Minogue, Garbage, Leona Lewis, Smashing Pumpkins and Roni Size in amongst all the weirdness.

Mashed In Plastic Tracklisting, Download, Video

Related Links

David Lynch (IMDB.com)  (Wikipedia) (DavidLynch.com)
Angelo Badalamenti (Last.fm)
Mashed In Plastic: The David Lynch Mash-up Album (Colatron.com)

Was Googling around catching up on the latest DJ mash-ups/bastard pop mutations, which I have written about on here quite a few times, when I stumbled across this older musical mash-up from DJ Party Ben. I’ve been a big fan of Ben’s Frankenstein pop mutations for a while now and somehow I missed this one which he actually did a few years ago now.

Its a mash-up of  the Eric B and Rakim classic, ‘Paid In Full’ and the White Stripes, ‘My Doorbell’. More importantly he uses ‘Coldcut’s Seven Minutes of Madness Mix’ of ‘Paid In Full’ which first appeared in the UK on 4th & Broadway 12 inch vinyl over twenty years ago. I remember Eric B dismissing the remix at the time but it continues to be as timeless as ever and for me is up there as one of the best remixes of all time.

In the spirit of Double Dee and Steinski, Coldcut breathe new life into Eric B’s already genius work, adding a story line and surreal imagery over one of the most subtly infectious bass lines in hip-hop history.

And that all encompassing Eric B bass line was pilfered from Dennis Edwards ‘Don’t Look Any Further’. Coincidentally  Snoop Dog appears in the frat house movie classic, ‘Old School’ doing a live version of ‘Paid In Full’.

Back to the point of the original Google search. I was looking for the brilliant DJ Schmolli (Kooks vs. Beasties) mash-up, ‘Sabotaging the Kooks’ a  raucous slice of genuine pop genius and one that actually got national airplay on BBC Radio One’s morning show. You can find the free track download here.

Related Links

White Stripes ‘My Doorbell’ YouTube.com

Eric B and Rakim ‘Paid In Full’ YouTube.com

This is ‘See Me (I Cant See You)’, the latest track from Anniversary Circle and the best thing they’ve done so far. Main songwriter and guitarist Martin Johnson was in a band with me called the Fruit Eating Bears years ago. Our main claim to fame was winning Gary Crowley’s Demo Clash show on BBC Radio London and supporting Divine Comedy at the legendary Bull and Gate in London’s Kentish Town.

Anyway, the track is a cross between late 80s UK goth (circa Banshees) and low-fi new wave, for want of a better description. There’s a fantastic dirty bassline wandering around in there too which brings to mind classic JJ Burnel in his Stranglers heyday.

There’s more music on the bands blog, the choice of which is ‘Winters Children’ and you can grab the MP3 here.

Anniversary Circle
(MySpace)

I was looking at the hard-drive on my laptop yesterday in an effort to try and clear up some clutter so I made an issue of listing all the software apps I actually use on a regular basis and dumped all the ones I never use.

I’m a software junkie I guess so I collect a lot of novelty apps that I dont need at all

Publishing Online

First and foremost one of my most useful online ‘apps’ (well its not actually an app as such, more a service) is my webhosting account. For anyone experimenting with various websites as I do a hosting account is absolutely essential.

Just for the record I choose a Hostgator reseller account (though there are thousands of companies out there offering similar services) which gives me the capacity to host hundreds of websites all with their own online control panels and with a whole bunch of storage space and very generous bandwidth.

One of the most useful aspects of my webhosting account is the fact that I can have a new blog or website online within minutes, literally. Hostgator are one of the many webhosting companies that use an online script installer called Fantastico. You access Fantastico via an online control panel, called CPanel (what else?) and it will install a selection of free scripts with just a couple of clicks basically.

Those scripts include blog/content management systems like WordPress, Joomla, Mambo, Geeklog and Drupal (amongst others). I choose WordPress simply because it has a massive support network, free plugins and themes and its easy to learn and manage.

So an artist management company with multiple bands could have separate blogs installed for each artist in minutes. And sites can be updated from any browser, anywhere. I swear by WordPress, this blog is hosted on that platform and I have used it for almost four years now.

Extra Blogging Tools

I use Windows Live Writer to write posts offline and also the Live Writer Firefox plugin that enables me to quickly write a post on a page I might be viewing if I’m online. If you use Flickr for image hosting then I recommend the Flickr Uploadr app which sits on your desktop and enables you to simply drag images from your hard drive into your Flickr account. Windows Live Writer has the ability to insert Flickr images at a snap too.

RSS Tools

I’ll scan feeds daily to look for inspiration and ideas and the RSS tools I use most are FeedDemon as my main desktop reader, Sage for browsing in Firefox and Google Reader online. Sync all three accounts by exporting all your feeds in an OPML file onto your desktop then importing the feeds into your other readers. If I can get my head round that then so can you! Here’s some YouTube help.

Audio Video Tools

For Torrent files I use UTorrent, for ripping audio and video from web pages I use Orbit. Uploading music to sell online? Then you’ll want an MP3 encoder that’s better quality than the encoder built into iTunes. CDex is a freebie that uses the acclaimed Lame encoder and will also rip to the higher quality Ogg format.

If you want to do simple audio editing (ringtones, mp3 editing) then Audacity is another great free tool with multiple uses like simple recording or encoding old vinyl and cassettes into digital files. There’s even a VST plugin. I use it in particular to try out drum breaks as it has a really neat looping function.

Ripping DVDs? I swear by Magic DVD Ripper used in conjunction with the Cheetah DVD burner. Hey, they’re not system hogs and they just do what it says on the tin.

Related Reading

10 Must Have Office Apps (ReadWriteWeb)
Software-Hack The Day (HackTheDay.com)
Downloads (Lifehacker.com)

Before I started producing dance music I used to strut my stuff as the lead singer of an alternative rock band called the Fruit Eating Bears, who’s main claim to fame seemed to be the ‘unpredictable’ nature of the live gigs (ie: things tended to depend a lot on how much we’d been drinking that day). We also discovered another Fruit Eating Bears which meant we had to ditch the name as well.

In our rare sober moments we got a bit of a following in our local area of South Yorkshire, UK, played the legendary Bull and Gate in Kentish Town, London, appeared on Gary Crowley’s Radio London show, Demo Clash and even had (the then) Phonogram Record company A&R guy ringing us.

Getting to the point a little, we recorded a four track EP which never saw the light of day but which we have decided to get uploaded to iTunes to see how things go. So, starting today the ‘Uptempo Tantrum EP’ experiment begins. We decided to use the band name, the Buzzsonic seeing as its the only thing we could think of that hadn’t already been used for a band.

I got a contact to design the cover (which looks pretty neat) and am signing up for distribution using Tunecore, whom I also used for my 99th Floor Elevators remix project release.

So, step one. Encode hi-bitrate MP3s from my CD master using the CDex Lame encoder, add tags and upload to Tunecore as we speak. Now to put together some kind of readable PR sheet!

To help the project with some much needed PR, one of the tracks, ‘Remember’ has been picked up by an independent film company for usage briefly in the film, ‘Behind The Scenes of Total Hell’. BTSOTH apparently gets it premier at the Curzon Cinema in London sometime next month and is the work of film maker Andy Wilton. I think the film is going straight to DVD but there’s supposed to be a CD tie in which should be good.

Related Reading

Fruit Eating Bears (MySpace)
Get Your MP3 Tags In Order (Wired.com)
Bob Bakers Indie Promotion Blog (Bob-Baker.com)
Cyber PR (Ariel Publicity)

Back in the 90s when I self released my first twelve inch single the main problem I had was trying to physically distribute the product. I remember trailing around London’s (then thriving) network of vinyl stores with a box of white labels trying to drum up a buzz with retailers. Around London it was physically possible to leave ten copies of a single at each individual retailer. Problem was you then had to go back and chase up money from each and every one (if they actually sold any).

The easier alternative was to get your product on the vans of one of the many (at the time) vinyl distributors. If you had a track with a club buzz on it this was pretty easy, you’d drop off your boxes of vinyl at the warehouse and wait for the orders to flood in. Well in practice, at least. What happened to me (three times) was that I’d commit to a distribution deal with a company and then they’d go bust right before I’d ever get paid or get my product back. Great.

Nowadays of course everything has changed to the extent where there doesn’t actually have to be a physical product to distribute (no inventory to lose) and your customer/the consumer actually takes care of any physical manufacturing (CD burner).

So, where to start? Like it or not Apple’s iTunes is the biggest music retailer on the planet so if you want to sell downloads it pays to have your product in the biggest shop window. That is not to say that its the only shop window you should concentrate on but you have to go where the shoppers are looking. Much the same as I’d want my 12inch single in the hip little record store in London’s Soho, I also wanted it on sale in the Virgin and HMV megastores on Oxford Street.

A newer breed of distributor has flourished in the current music industry climate, a digital music aggregator, where the artist or label submits/uploads the content and the aggragator queues it up for placement with the main online retailers, which in mainstream terms means iTunes, Napster, Rhapsody, eMusic (for DRM free indie music) and more recently AmazonMP3.

So. There’s a number of aggregators around now and they seem to be multiplying weekly so its important, nay, essential to choose a company with a nice ‘shiny’ reputation. That means a company that is reachable, reputable and accountable and of course, a company with some solid music industry background. I use Tunecore for digital distribution, though you can see a useful comparison of services here via Moses Avalon.

The biggest pull for me that made me choose Tunecore over CD Baby DD was simply one of percentages and control. CD Baby has a much wider list of stores it sends your music too, but you cant discern which ones you want your music on specifically. With Tunecore you can. CD Baby also take 9% of any money from each download. Tunecore take nothing. After iTunes (to give a specific example) takes its own cut I see 70c per download which goes straight into my Paypal account (if I choose that payment method). Bypassing any distributor cut or record label share.

Consider back in the 90s I had no concrete way of keeping track of what my distributor was up too. Now I can have data tracking each individual sale on a monthly basis.

Do remember though, that despite all the hype about download stores, they still only account for around 10% of music sales so having music available on iTunes is an ‘as well as’ rather than an ‘instead of’. People are still buying CDs, even vinyl.

The sign up at Tunecore (or CD Baby if you choose) couldn’t be simpler. There’s a sign up fee of around $25 for Tunecore, with an annual maintenance fee of roughly $20. Sign up at CD Baby is $35 with no annual fee. You’ll need a finished mastered copy of your release, which you can either upload or physically post in to the distributor. You’ll need CD artwork too, even if its only a digital release. Either diy, get a mate who’s a whizz on Illustrator or pay someone else (or here).

Your album, EP or single also needs a unique UPC (barcode number) and each track needs a tracking number for sales called an ISRC, (“International Standard Recording Code”). Tunecore take care of both these services free of charge at the moment, CD Baby charges $20 for the UPC barcode.

And a one (or two) final points to remember, the number one thing to look out for in a digital distributing partner is a non-exclusive licensing agreement. Make sure that you will continue to own all rights to your own music and also, don’t forget to promote your digital downloads!

For even more options you can get your own download store to paste on your website or MySpace page via companies like 7 Digital (in the UK) or Snocap (in the USA). Though take into account these services are separate options.

And yet another option if you’re without a physical release (CD or vinyl) is actually selling downloads at gigs using a download card service like Dropcards or Disc Revolt.

Related Links

Tunecore vs. CD Baby For Digital Distribution (CNet Blogs)
Digital Distributors-Choose The Right One For You (MosesAvalon.com)
Why Most Digital Distribution Start Ups Will Fail (CNet Blogs)
Tools For The Stay At Home Musician (Coolfer)
iTunes Store (Wikipedia)
Drive-By Truckers Founder Seeks Vinyl Glory (Boston Herald)
Apple Accused of Stifling Rivals with iTunes (Guardian UK)
iTunes No. 2 Music Retailer in the US (Business Week)
So, One Week Later is the Album Dead Yet? (The Seminal)
MP3 Cover Design (Simon Idol)
The Rise and Fall of Snocap – What Did We Learn? (Penny Distribution)

Other Distribution Services

If you want to add more services besides the already mentioned mainstream download stores.

SongCast Music (USA)
KJER (Scandinavia)
Artists Without A Label (AWAL) (UK)
Consolidated Independent (UK)
Wild Palms Music (France)

The Bit Torrent protocol has been well documented. BitTorrent is a method of distributing large amounts of data widely without the original distributor incurring the whole of the corresponding costs of hardware, hosting and bandwidth resources.

So, filesharing in the truest sense if you like, where downloaders also upload as they download (if you follow). The more bandwidth and upload stream you share the faster your download (in theory).

Going against that whole equal sharing thing comes a new ratio cheating program called appropriately, ‘Greedy Torrent’. The India based software author Alex NJ calls his app “the survival kit for a leech” . What the freeware program promises to do in a nutshell is boost your bittorrent upload ratio.

GreedyTorrent promises to help you survive on trackers that enforce a minimum 1:1 trading ratio, and can keep you from getting banned for not uploading. It modifies the conversation between your bittorrent client and the tracker, suppressing the actual upload amount.
via Zero Paid

Related Reading

How To Cheat BitTorrent Ratio By Spoofing (Raymond.cc)
RatioMaster (Moofdev.org)
Is BitTorrent Share Ratio Enforcement Really Necessary? (Zeropaid.com)

I was speed reading through my usual pile of daily RSS feeds and came across the Digital TV Weblog who directed me to the NBC TV website where their big network smash ‘Heroes’ has a series of comic books which are a part of the plot of that show and can be accessed and downloaded in PDF or Flash versions.

There’s 25 episodes so far, all available for free (the comics, not the shows).

via Digital TV Weblog

Related Links

Heroes Episodes 1-15 Replays (NBC TV)

I have three MySpace profiles, one for my latest music project, one to network my travel site and one which acts as an archive for my old bands music. My latest music profile (the 99th Floor Elevators) is the most active and has proved great for networking and making new contacts in that field.

I actually hate manually visiting MySpace daily so a neat ‘shortcut’ is to install the unofficial MySpace Firefox toolbar which is unobtrusive enough and enables you to quickly toggle between profile pages, messages and the like. The toolbar auto hides when the MySpace page is closed. One thing the toolbar is lacking is the ability to log-in to multiple accounts, that would make it even handier.

Related Links
Download Unofficial MySpace Toolbar (Mozilla.org)
MySpace Toolbar Home (Freewebs.com)

There’s me rambling on about Firefox extensions in my last post then I stumble across this lunatic (with too much time on his hands?) who installed the top 100 Firefox extensions on his browser. Amazingly it still worked.

Firefox With 100 Extensions Installed @ Flickr

This one is really down to individual needs and every user is different but here’s what Add-Ons I’m running right now as part of my ‘ultimate’ browser set-up. Naturally my browser of choice is Firefox and has been for about three years.

First I dumped the default Firefox theme and installed Noia 2.0 Extreme which is a little more streamlined and sharper looking.

I read way too many RSS news feeds daily and if I’m not using my desktop reader of choice, FeedDemon (which has recently replaced RSS Bandit) Sage is a brilliant RSS feed reader and manager that tends to be less resources heavy than the desktop equivalents and sits in the sidebar of Firefox. (more…)

Its been a while since we featured any posts on musical mash-ups here. Since the last mention (the excellent Green Day mash) the word mash up has taken on a slightly different meaning. Now the term is more likely associated with the latest Google Maps Api mash up rather than the latest frankenstein pop remix flying out of some digital DJ’s laptop studio.

Latest renegade remixers to join the fray are the Brooklyn based DJ duo Sound Advice who have ironically (see DJ Dangermouse) chosen to weld the music from the ubiquitous Gnarls Barkley album ‘St Elsewhere’ to the vocals from deceased rapper Biggie Smalls biggest hits.
The result is Gnarls Biggie a hit and miss collection of eleven tracks (all available as MP3′s naturally). ‘Smilie Faces Hypnotize’, ‘Gimme The Online Loot’ and ‘The Last Nasty Boy’ are worth more than one spin but the simple A vs. B formula is not nearly as inspired as the more elaborate examples of the ‘art’ like DJ Dangermouse’s (half of Gnarls Barkley) groundbreaking Beatles vs Jay Z mash up the ‘Grey Album’ or the aformentioned Green Day (or Dean Gray) remix project.

The guys have already got themselves banned from MySpace (though another ‘fan page’ has already sprung up). The cease and desist is in the post.

Related Reading

Gnarls Barkley Mashed Up with B.I.G (Spin.com)
Green Day Mash Up Leads to Cease and Desist Order, Grey Tuesday Style Protest (MTV News)
Grey Album Poducer Danger Mouse Explains How He Did It (MTV News)
Gnarls Barkley (Wikipedia)
Sound Advice Blog (Blogspot)
Party Ben (PartyBen.com)
Mark Vidler (GoHomeProductions)
Grey Tuesday:A Quick Overview of the Legal Terrain (EFF.org)
Grey Tuesday-Free the Grey Album (GreyTuesday.org)

Here’s a neat piece of software that I discovered care of Gina Trapani’s excellent weekly tipsheet ‘Geek To Live’ at Lifehacker.

If you’re like me you probably have a stack of passwords and log-ins hidden away in secure .doc files, scraps of paper and the like. Alternatively you can keep a secure and searchable database to retrieve those hard to remember passwords without compromising security using the free, open source software application KeePass.

There’s a great ‘how-to’ at Lifehacker here, so I wont repeat it.

Related Reading

Strong Passwords: How To Create and Use Them (Microsoft.com)
Choosing Your Password (Yahoo Security Center)

The brilliant Green Day mash-up album we mentioned a few days ago has already had the plugged pulled by Warner Bros music officials apparently.

You can follow the subject at mashers hang out Get Your Bootleg On. Naturally the old download link is now dead but there’s a growing groundswell of support for the project just as there was for the famed (and similarily outlawed) DJ Dangermouse mashup, ‘The Grey Album’. You can, as of this minute grab the album here and read up further on the planned music activism set for December 13th.

Elsewhere this week we’ve stumbled across a Madonna mash-up project (‘the Immaculate Concoction’), one from Radiohead and a 50 Cent/Queen ‘co-lab’. Of course the artists themselves are blissfully unaware of all the DiY remix activity going on.

Related Links

Dean Grey Tuesday (Alt.fm)
RIAA Targets Mash-Ups (BoingBoing.com)
Grey Tuesday, Online Cultural Activism and the Mash up of Music and Politics (FirstTuesday.org)
Raiding The 20th Century, the History of the Cut-up (Musicalbear.com)
The Grey Album by DJ Dangermouse (BannedMusic.org)

We’re big fans of well done mash-ups here at Buzzsonic and one of the better done bootleg DJ mash-ups (or, unofficial remix/bastard pop to give it two of its many names) in the last eighteen months has easily been San Francisco DJ Party Bens ‘remodel’ of Green Days ‘Boulevard of Broken Dreams’ (as Boulevard of Broken Songs) which seemlessly mixes up Green Day and Oasis and throws in a bit of Travis for good measure. There’s even a companion video mashup of the audio mashup here.

Now Australian mashers Team 9 have taken on the whole of Green Day’s ‘American Idiot’ album with great effect.

‘American Edit’ grabs the album, shakes out all the crap bits and sprinkles the whole project liberally with cheeky samples from the likes of Johnny Cash, Queen, the KLF and Ashanti, amongst plenty more. Wholely applauded at the ‘bootleg barometer’ GYBO.
Stand out track for us is ‘Novacaine Rhapsody’ a brilliant mixup of ‘Give Me Novacaine’ and Queens ‘Bohemian Rhapsody’, pure brilliance. Grab the album while you can here.

Get Your Mash On….

Get Your Bootleg On (GYBO)
NWA As Remixed Illegal Art (Buzzsonic)
Primal Scream Get The Mash-up Treatment (Buzzsonic)
Beatmixed (Beatmixed.com)

We covered early developments on the forthcoming legal P2P services, from Mashboxx and Snocap back in November of last year. Napster (MK 1) founder Shaun Fanning’s new legal P2P (ie:major label friendly) service Snocap had agreed a deal with the Universal Music Group to distribute the major labels content using the digital fingerprinting software being adapted from a Philips blueprint.

At the same time Sony/BMG had been in talks with Mashboxx boss, ex-Grokster and Blubster president, Wayne Rosso.

Snocaps talks with the EMI Group began almost six months ago and an official deal with the UK major was announced to the press yesterday.

David Munns, Chairman and CEO for EMI Music, North America said in a statement, “This deal with Snocap underscores EMI’s commitment to developing legitimate ways to deliver our music in more ways to more fans, including peer-to-peer distribution models that ensure creators are compensated for their works.”

He continued, “This sends a signal to music industry critics who claim we are technophobic. If anything, we are embracing technologies like Snocap, which allow the P2P community to share music legally. It’s a big step forward for fans, artists and copyright owners.”

Mashboxx, who are going to be using the Snocap technology for their own P2P service started signing up beta testers on their website today, for the yet to be seen music delivery service.

Snocap is a technology embedded in a P2P network to block sharing of unauthorized works, including unlicensed music and pornography and facilitate commercial transactions. Audio fingerprinting provides the digital ‘fingerprint’ of an audio recording by deriving unique features that can be used to identify the music by comparing it with reference fingerprints stored in a central database.

That fingerprinting tool could be integrated into the file-swapping software itself in several different ways. Once an identification is made, the download could be blocked, unless the computer user pays a fee, as if they were downloading a song from iTunes or another digital song store.

Mashboxx’s P2P app will use Fanning’s technology to reveal which shared songs are being monitored on behalf of Snocap’s label customers. Download a track that is, and Mashboxx’s software slips in a DRM-protected version that invites you to pay, to listen, to burn or whatever usage the copyright holder permits.

Background Reading

EMI Signs Up For ‘Authorised’ Online Music Sharing [Reuters]
Mashboxx Opens Beta Test Scheme [theRegister.com]
EMI Signs on With Snocap [Slyck.com]
Content Identification:Audio Fingerprinting [Philips Research]
Napster Founder in Major Label P2P Talks [Buzzsonic News]
EMI Records Join the Snocap Queue [Buzzsonic News]
Napster Guru Fanning Breaks Snocap Silence [Buzzsonic News]
Grokster [Wikipedia]
The Major Labels [PBS Frontline]
Wayne Rosso on File-Sharing Frontiers [TechNewsWorld.com]

As an indication of how widespread the phenomena of Podcasting is becoming, early adopters are springing up in the most unlikely places. Father Roderick Vonhogen, Catholic priest of the Archdiocese of Utrecht in the Netherlands led Internet listeners on an intimate audio tour that allowed them to pay one last visit to Pope John Paul II before he was laid to rest earlier this month with his podcast show , “The Night the Pope Died” delivered in MP3 format and downloadable from his Catholic Insider website.

Catholic Insider and thousands of other podcasts can be found through directories like Podcast Alley , Podcasting News and Podcast.net while free software like iPodder, Doppler and iPodder X automatically downloads new shows as they become available. Listeners can transfer their podcasts to an Apple iPod or other portable MP3 player, and listen to them when and where they wish.

A recent survey by the Pew Internet and American Life Project found that one in three U.S. adults who own an MP3 player have listened to a podcast, though the survey’s small sample size of respondents means that figure could be substantially lower, according to some critics. In all, 2,201 people were interviewed, including 208 owners of iPods or MP3 players.

Pew Internet researcher Mary Madden told the NewsFactor website. “Podcasting is clearly a growing online phenomenon,” she says. “It is part of the larger notion of the Internet being a democratizing medium. Anyone who has the basic tools, a basic grasp of technology, can do it. Podcasting is definintely mimicking blogging in a lot of ways,” Madden continues. “In a lot of cases, they are audio versions of someone’s personal rant for the day.”

Related Reading

Podcasting Catches On [Pew Internet PDF]
Six Million Podcasters and Counting [NewsFactor.com]
Podcasting In The Dark [Washington Times]
iPods and MP3 Players Storm the Market [Pew Internet]
Podcasting Tools [Podcasting-Tools.com]